Tuesday SOL: What if we paint at the easel?

I am participating in the
Tuesday Slice of Life.
All participants are writing about one moment, one part of their day.

A big thank you to Two Writing Teachers for providing this unique opportunity

for teacher-writers to share and reflect.

Our painting easel is an oasis of quiet, focused creativity. There's only room for two children here, one on each side, and the painting is unhurried and free. The first day that the easels were opened this school year, I gave children "timed appointments" for painting, rushing them through, so that everyone in the classroom might get a turn during our centers time. Now, settled into our seventh week of school, the easel is organically paced...sometimes empty, sometimes full, often one artist lingering on their masterpiece. Teachers can guide from the side, helping children to label the page with their name, converse about the work, move the artwork to the drying line, or provide refills on paint. Let's look at some of the children's work...

Yellow, red, blue

Blue, red, yellow

          

Children are curious about the colors in the paint containers. We have begun the year with the three primary colors of yellow, red, and blue. As our school year continues, children will help me pick the colors for the easel, allowing for a more diverse palette. As the children learned in our guided discovery, our easels are set up with one brush for each color and children are encouraged to work with the same brush for the same color (in hopes of leaving a good solid color for the next painter). I love how frequently I find children's work that simply shouts "colors of the day." These two were painted many days apart, by two different artists. The paintings seem to ask, "What do we have today?" as the artists investigate what colors are available, developing one color at a time. 

More paper needed!

But, of course, separate, distinct colors are not the only way to paint. The very first week we painted, one introspective child discovered the thrill of covering every inch of the paper with paint. The preschooler worked quite a long time at this, mixing, swirling, stretching the paint. What was the original goal? To escape the tumult of the classroom and find a quiet spot to work alone? To discover what happens if you mix two colors? Was it simply to use up all the paint in the containers? Or maybe to create a puzzle for the teachers by covering one's name entirely? This early investigation has led to much imitation - daily, someone paints every bit of their paper at the easel. It is as if the preschoolers have an insatiable thirst for painting, it is never enough. Alas, the three colors are no longer distinct...however, the art is magical!

The surprise of working together

This next picture is one I call "The surprise of working together" - here, one child was drawing with pastels and wandered away from the easel. Pretty soon thereafter, another preschooler came over and began painting on the same paper. In these early days, children are developing their agency - just beginning to realize how to ask a teacher for a new piece of paper, how to move one child's artwork off the easel, how to ask a friend if they can work with them on art. I loved the combined effort! However, both children seemed surprised at the idea that their art was shared. As the year continues, children will begin to purposefully create art together, but this magical piece was happenstance.

The art of avoidance

This beautiful artwork celebrating the color red was created during our classroom clean up. Yes, this clever preschooler slipped to the easel corner of the classroom while our clean up song played and classmates were busy tidying up the room. The preschooler successfully evaded teachers' eyes, as we focused on putting away blocks, dolls, and other toys. I call it "The Art of Avoidance" and it makes me smile - it does show good focus and persistence.

Saying goodbye to Dad 

I happened upon this masterpiece early one morning, as children were just arriving for school. It had clear lines and a distinct silhouette - not at all typical for my preschoolers. I asked the artist, "What are you painting?" and he answered emphatically "An elephant!" Well, yes, it was! I hurried over to my Teaching Resident and whispered, "Did you see the painting at the easel?," realizing we were working with a budding Picasso...and she said, "Oh yes! His father painted the contour of an elephant for him when he dropped him off." I had a good laugh! A fabulous artwork of family love and connection.

Preschoolers love to paint! Each day, our art corner is simply bursting with their creativity and imagination.

What about wire?

This is a Tuesday
Slice of Life.
All participants are writing about one moment, one part of their day. 

A big thank you to Two Writing Teachers for providing this unique opportunity

for teacher-writers to share and reflect.

The Big Cats are creating wire sculptures for our Phillips art project.
First, we need to investigate the wire -
How does it feel? 
What can it do? 
How does it bend and move?
We looked at a video of one of Alexander Calder's moving mobiles.
Could we create sculptures that move?
Yes, let's try this!

I have set the wire supplies up as an exploratory center, so that the children will learn more about how the materials work before they create their wire sculptures.

We have three different gauges of wire, and all three types are flexible enough for the preschoolers to manipulate. They quickly figured out that the thicker the wire, the more difficult it is to bend. I love that there are three types of wire - multi-colored fine wire, silver medium wire, and bluish thick wire. As they practice making loops, bends, knots, connections, and more, preschoolers are also reinforcing their understanding of small, medium, large.

We spent a couple days simply wrapping objects, to see what shape the wire would be once we pulled the wire out. So many questions arise,
What shape will the wire have if we bend it around a block?
What happens if we attach two wires together?
How can we make the wire curvy?

We are also working with a variety of beads.  The preschools love to finger these, picking out their favorites. They practice how to connect the beads to the wire.
How might we attach the bead so that it wiggles? 
How can we make it roll up and down the wire?
How can we make it stay in a more fixed?

It is a kind of slowing down.
Slow learning.
Investigating requires focus. And fine motor skills.
We become better and better at it.

I hear,

Can I play with the wire?

Look, I make a balloon!

Chains are made out of wire!

You can spin it.

I want to tie it.

I make it move.

This is hanging on it!

It's like candy.

Moving slowly like an artist,
an engineer,
a mathematician,
a scientist. 

It is language,
it is storytelling,
it is everything at once.
It is the best kind of learning.

My husband cut up some scrap wood to make simple wood bases for their sculptures. Tomorrow, the open-ended investigation of wire will end, and we will take our first steps at creating the sculptures themselves. The goal is to make a sculpture that shows 'freedom' -
Maybe it will move, bend, wiggle? 
Maybe it will reach high or flow to the side? 
What does freedom look like?  

The children will have the flexibility to go any direction they want with the remaining supplies. I will encourage the preschoolers to use the heaviest wire at the base and to add lighter wires as they move up. But, preschoolers always amaze me with their ideas and innovations, and I am ready to be surprised and enlightened. I feel certain that their sculptures will have a lot of individuality, that no two will look alike. 

The children are fascinated by the wire. I am, too. 

What about those clouds?

This is a Tuesday Slice of Life for Two Writing Teachers. 

Check out their website for many more reflections on teaching.


______________________________

I wrote recently about our neighborhood walks, noting how we have been observing the clouds in the sky. 

Truly, a "cloud study" is emerging in our class.

Behind our school is a large field, providing a large expanse from which to see the sky. This leads to some breathtaking views. We see storms forming, airplanes and helicopters crossing, winds blowing, rain pelting down, and bright sun shining.  Honestly, I've been surprised by how varied the sky can look. 

The clouds are captivating. I encourage the children to observe them more closely. 

The view is lovely from our classroom windows.  

"Look, Ms. Ingram, the clouds are moving!," one student called to me during centers the other day.

At least once a week, we head out the back door of our school to the field, to sit and draw the clouds in the sky. The children are honing their fine motor skills while becoming scientist - observers.

One day, we went out to draw the clouds but there was nothing but gorgeous blue sky, as far as the eye could see. I asked, Where are the clouds? and thoroughly enjoyed the children's responses:

"The clouds are in the sun." (H)

"Because my dad said 'if there is no clouds, you can play.' 

And if you see the clouds, you can draw the clouds." (D)

"Unless the sun take the clouds away." (B)

In the art corner, we have created clouds of our own, in several different ways. 

We created clouds with white, gray, and even black paint, using cotton balls and q-tips as tools to apply the paint. The children created these as a 'symmetry' lesson, putting the paint on one side of the paper only and then folding the paper over, resulting in a mirroring image on the other side of the paper.

We created a beautiful blue sky as a group project. The children delighted in working on their hands and knees, right on the floor of the classroom. 

Of course, once the sky was complete, we needed to add clouds. These we created with 'puffy paint,' which I always enjoy mixing with the children. Puffy white paint is easy - shaving cream mixed with glue (more or less equal parts of each) ... a delightfully sensory experience for painting clouds by hand:

Our fabulous art teacher Briana shared a blog with me by an artist and designer named Cristina Moreno, showcasing the most extraordinary cloud and sky work; I simply had to make a large cloud with the children!!

I wasn't totally certain how to create the cloud, but I thought - let's give it a try! Briana helped fashion a base/form for the cloud and even provided me four bags of cotton batting for the project. The children went to work on this large scale model of a cloud!

The children worked and worked on this, all morning long, pulling small pieces of cotton from the bag, stretching it to make it light and fluffy, and applying lots of glue. (I was astonished at how many bottles of glue we went through to create this exciting structure!)

The children were so engaged, with such great language streaming from their lips...the adjectives alone:

pillow-ey

fluffy

puffy

sticky

squishy

enormous

gentle

soft

bubbles

gooey

ooey-gooey

sticky 

wet

The children had so many great questions -

What are clouds made of?

How big are clouds?

Can we make a real cloud?

How long does it take to make a cloud?

What does it feel like to fall into a cloud?

It was such a thrill to stand on chairs as one worked!!

It took several days for the cloud to dry out.

Then, it was time to find an answer to another pressing question from the children:

How will it hang?

In our science corner, of course! Right in front of our window.

"If you want to have a cloud, you have to be a builder." (A)

We are getting our cloud work ready to share with the families for this Thursday's Learning Showcase. However, I'm not sure our cloud study is over - each day brings more curiosity and exploration.

Can't you hear Joni Mitchell singing?

I've looked at clouds from both sides now

From up and down and still somehow

It's cloud illusions I recall

I really don't know clouds at all

Tuesday SOL Faces I have found

This is a Tuesday Slice of Life for Two Writing Teachers. 

Check out their website for many more reflections on teaching.


______________________________

In the writing center,
the art corner,
in crayon,
pencil,
paint.

No one tells them to draw or paint people. 

Yet,
they appear

and disappear

spontaneously.

Round faces,
triangle parts,
square possibilities.  

Spidery lines.
Arms and legs? 

Or is that hair? 

Big wide eyes, and

every now and again,

eyebrows and pupils, too.

Crooked lips, 

tilted smile,

frazzled look.

Ears?

Unsure.

Nose?

Not consistently.

Hair?

Sometimes.

No one tells them to draw or paint people. 

Yet,
they appear and 

disappear
spontaneously.