Showing posts with label Ezra Jack Keats. Show all posts
Showing posts with label Ezra Jack Keats. Show all posts

Wednesday, March 26, 2014

SOLSC #26 A Reading Moment





I am posting every day during March as part of the annual "Slice of LifeChallenge for Two Writing Teachers.  Check out their website for lots more reflections on teaching.

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Is it considered a "post" if one only shares a photo?

This non-stop day has me recognizing one very dear, overheard moment...
a reading moment...
Melissa nestled with a preschooler,
reading his favorite book,
a book so familiar,
so loved,
so dear,
that all Melissa is doing is
beginning the sentence, and
he completes it;
all Melissa is doing is
turning the page, and
he recites the words.
Each page,
each word,
a treasure.
So familiar,
so loved,
so dear.

This is the beauty of reading a book,
over and over and over again
to a little one.


Tuesday, March 25, 2014

SOLSC #25 A Snowy School Day





I am posting every day during March as part of the annual "Slice of LifeChallenge for Two Writing Teachers.  Check out their website for lots more reflections on teaching.

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It snowed all day, today, at school,
from the moment I left the metro station until
the moment I returned home.

The snow fell softly,
dusting my coat and hat, as I arrived at school,
and I thought -

I am so thankful that we have school today!

No cancellations.
No delays.
No disruption to our routines.

I am a little tired of all the snow we have had this year.

For the children, however, it continues to be delightful.

We watched the snow fall as we played in the classroom.
We played Snail's Pace Race,
we painted more of the light tunnel,
we built with blocks and Legos,
we mushed play dough,
we explored at the light table,
we wrote cards and letters at the writing table,
we enjoyed pretend tea and pizza,
and all the while it snowed.

We read The Snowy Day, for the umpteenth time this school year!

We went out for a walk in the snow - oh, how lovely!
[A much nicer walk than yesterday's!]

The shady sidewalk had a slight covering of snow, maybe an inch.

Look, if you open your mouth, you can catch snow and eat! 
Look, we can make footsteps just like Peter in The Snowy Day! 
Look, we can make a snowball! Can I throw a snowball? I can throw it on the ground. 
Look, there is a lot of snow coming from the sky! 
Look, there is a lot of snow on the cars! On the construction! On the backhoe!
Look, there is snow falling on my face!
Look, there is snow on my mittens!
Look, I am slipping in my boots! Ha!
Snow! Snow! Snow!

We peeked at the snow falling as we settled in for our nap.
It's still snowing!

We watched the snow as we ate snack and had our closing.
Snow! Snow! Snow!

Throughout all this snow,
the sidewalks and streets remained mostly snow-free,
though an inch or two rests on shady spots, on bushes, on grass, on cars.

It's not much of a snow.
But it was the very best of snows.
Just what we needed!

No cancellations.
No delays.
No disruption to our routines.
We spent a very nice, normal day together,
while it snowed.

It appears that we may have our first five day school week in who knows how long.

I am so thankful that we had school today!


Friday, March 14, 2014

SOLSC #14 Our Phillips Artwork





I am posting every day during March as part of the annual "Slice of LifeChallenge for Two Writing Teachers.  Check out their website for lots more reflections on teaching.

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I want to share about our Phillips art project. Our school partners with the Phillips Art Gallery each year, creating an exhibit of our students artwork for their Young Artists Exhibition. This year's theme is storytelling.

Our Ezra Jack Keats focus has dovetailed beautifully. The children created a beautiful process art background and then collaged city buildings on top. Their personal photos were inserted into the windows of the city buildings, adding a whimsical Ezra Jack Keats touch! (And making it impossible for me to share the final artwork here, because I want to respect anonymity of children in this blog.)

Working on one smallish, single panel was a real constraint for us - we have 23 preschoolers to involve in the art process. We sought ways to integrate the art experience into many other aspects of our classroom work - for example, many process art panels were created, although only one chosen. Over several sessions with our art teacher, Brianna, the children painted beautiful "skies." These were created using a variety of colors and "channeling Ezra Jack Keats." (The backgrounds of his collage artwork in his picture books are so beautiful.) One of these bright pieces became the basis of our Phillips panel.

Brianna took the children in small groups to her third floor studio to observe our city neighborhood from this perspective.  Since Brianna typically comes down to our classroom for art, this was an exciting adventure!



From this higher view, the children drew cityscapes.




After creating these observational drawings, several were photocopied and reduced in size to fit the Phillips panel. The children painted these, using sponges, paints, and pastels. A beautiful city skyline was created.





Here's the story that the children wrote to accompany this art panel:


Big Cats in the City

The Big Cats live in the city. We have a train coming down the train track through the tunnel.  An underground tunnel. And there were little houses and tall apartment buildings. And a school. And there is a great, big, giant fire truck going down the road so fast. And they put out a fire in the offices. There is a doctor in the building and there is his office and there are Mommies and Daddies and a Grampa. A baby is born. Shhh! We have to have gentle hands and play gentle music. And then the baby is sick and the doctors are coming. And then she has to go to the hospital and then she will get all better. And then there is a big party and a tea party and cookies. Would you like some pizza, please? And we go on an airplane! The End


Yes, this artwork was tremendous fun!



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(A daily share by a preschooler, in their own words)
A Story Collage by Hugh




     The little boy starts with the tiger. And the tiger was fighting the little boy and then the boy grabs the tiger’s tail. The boy dives into the diving board and then he accidently falls into the water with the tiger and then the tiger ate him all up. Actually, he didn’t get eaten up, he escaped! And then the tiger chased him up and he got out of the lion exhibit and the boy climbs up a tree. The tigers don’t get him. The End

Monday, March 3, 2014

SOLSC #3 The storyteller artists




I am posting every day during March as part of the annual "Slice of LifeChallenge for Two Writing Teachers.  Check out their website for lots more reflections on teaching.

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Over the past couple of weeks, the children have been working on paper collages to tell a story (just like you know who - Ezra Jack Keats, our author study focus).

Preschoolers love, love, love all manner of gluing projects and we pretty much have the glue out every day.  Glue sticks are always available at the writing table - you never know when you want to add special paper details to a card or letter you are writing. We frequently use liquid glue, either with brushes or individual squeeze bottles. Yes, gluing a paper collage is pretty ordinary and easy stuff.

However, I really didn't want these to be "make and take," with the children quickly gluing tiny papers all over a large sheet and, right away, taking it home.

I wanted them to work like an artist -
to make the beautiful papers,
to cut the beautiful papers,
to create images with these papers.

I wanted them to work like an artist -
imagining,
beginning,
reflecting,
revisiting,
modifying,
extending,
persisting.

I wanted them to work like an artist -
to create it over time,
with significance and meaning.

What happens when we ask young children to delve deeply into something? 

Beautiful things happen.

Akhil's collage


The children created special papers using a variety of painting and coloring techniques. Then, these were cut into smaller pieces. The children worked with papers of various weight and textures - cardboard, cardstock, and other. A family gifted us a bag full of picture book jackets and we spent a couple of days cutting special papers from these - beautiful pieces for characters and settings. The children drew characters on small pieces of paper in the writing center. Each child chose a large piece of their own process art to be the background of their story picture. As the children worked with scissors, glue, and these special papers, I had lovely discussions with them about who would be in their stories, where their stories might take place, and what would that look like with papers. Details were added to the artwork using markers and pastels. The children dictated stories to me and revisited the collages, adding more details. Sometimes they changed the story, because the artwork took them in a new direction. Additional glue collages were made with leftover, "extra" pieces - and often this would lead to still more details being added to the original artwork.

These children worked like artists.

Although I had the expectation that each child would create a collage and share a story to accompany the collage, I didn't stand over them and force them to work on these. These activities were available for large stretches of time, over many days, giving the children lots of flexibility in their work. The children entered, worked, and went away to do other things, over and over, listening to their inner voice, their own motivation. Their interest would ebb and flow, depending on the day. This flexible environment allowed  the children to motivate one another. I particularly loved seeing children standing alongside classmates who were working on their collages, both the observer and the artist absorbed in the creative process.


These children worked like artists.


I wondered aloud to the children,
Do you think Ezra Jack Keats wrote his story first and then created the pictures, or created the pictures and then wrote the story?
I find Ezra Jack Keats' artwork so compelling, I wonder  - did he start with these and then create the story?
I don't know.
Which comes first for an author/illustrator?
I don't know.

In my classroom, I am amazed at how storytelling seemed to strengthen the child's engagement in the artwork and, vice versa, how the process of making the artwork seemed to expand and enliven the storytelling. 

Because I find each child's collage story so unique and special, I'm going to share one child's project each day for the next many days, at the end of my daily slice. I hope you enjoy these as much as I do!

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(A daily share by a preschooler, in their own words)

A Story Collage by Ada

Once upon a time, there was a little house that lived on a hill. It did so well and couldn’t be sold for anything. But people lived inside it. One night, a turtle was at the top of the sea and following a light from the moon. But it was not from the moon, it was from a bat! A bat belonged to somebody that had a necklace around it, and it shone a light around it. It was a special bat, it could see inside the dark because of the light. One day, a girl looked inside the necklace and she saw special kinds of buttons that if you step on them you can see all the parts of the world. She took four balloons and started going out her window, and when the bat wasn’t looking, she took the necklace. The bat wanted to go forward, but it went backward. If the girl took it off her, then she would go backward. The necklace helped the bat always go forward. The girl gives the necklace back to the bat and the bat starts going forward again. And she starts going all the way back to her bed. The End

Sunday, March 2, 2014

SOLSC #2 There's no such thing as "end"




I am posting every day during March as part of the annual "Slice of LifeChallenge for Two Writing Teachers.  Check out their website for lots more reflections on teaching.

*******

As I mentioned in an earlier blogpost, we've been in the midst of a very fun Ezra Jack Keats author study. This past week, we celebrated the conclusion of this unit by re-reading and dramatizing many of his books. After lunch on Friday, as we waited for families to come and pick up their children on this half day of school, I spread out all the books we have read and ended up getting a very powerful photograph:

Truly, the children are not done with Ezra Jack Keats. 

I overheard them talking as they look through the books, about
"Peter," "Archie," "Louis," "Roberto,"
"Archie has a cat." [Pet Show]
"Amy lives next door" [Dreams],
"He likes her!" [Apt 3],
"He invited her to a party - you can't say 'boys only' " [A Letter to Amy],
"Louis moved to a new house" [The Trip],
"He is a scary man but now he is a nice man" [Louis],
"Did you see the monsters?" [Hi, Cat!],
"The cat got stuck in the box and the dog was mean," [Dreams]
"Those boys tried to hurt them, but they had a trick!" [Goggles]

I have heard similar snippets as they are playing in the classroom, these past few weeks. 

Maybe my focus is changing. Maybe I'm ready to delve into other topics. But, these little ones are still very much in love with the characters and stories of Ezra Jack Keats. 

This is a beautiful thing to observe,
this engagement,
this learning,
this wonder.

I have no doubt that they will make many more connections as the year goes on.
They will recall special moments.
They will continue to enjoy his books.
They will remind me of details.

There's no such thing as "end.




Sunday, February 23, 2014

How do you plan?



In recent weeks, I have been intentionally working on 'planning' with Melissa (Teaching Resident), trying to show her how I create instructional units and daily lessons for preschoolers. I'm trying to provide her insight that will help her not only in our classroom, where we team together on the children's learning, but in her future classrooms where she will have new and varied demands.

I want ... I hope ... to open her eyes to the amazing possibilities of preschool curricula.

How do I plan lessons? 

For me, this simple and straightforward question does not have a simple and straightforward response.

So, why not try to write a blogpost that gets to the heart of how I plan? I have been wrestling with this writing in much the same way that I wrestle with my planning discussions with Melissa.  Planning - and writing about planning - is a very creative process, where I focus on several things simultaneously and thus find myself a little tongue-tied in my explanations.  Bear with me, please!

CHILDREN FIRST - children learn best when they are choosing the learning. My years with preschoolers are my guide, my informant -  I know what they need, what they enjoy, how they learn best.  As Bev Bos says,


Kid need experiences to attach words to...if it’s not in the heart, hands, bones, it’s not in the brain. 

Young children need to "do," to actively experience their learning.


All my preschool plans rely on these techniques or tools:
  • dramatic play - letting children act out stories
  • building something big (from cardboard usually), so children can experience the topic with their whole body
  • sensory, tactile, and hands-on connections
  • engineering, inventing, building
  • some sort of on-going project work - so that children could learn the basics of revising, editing, modifying and watch something grow bigger and better over time,  
  • messy, process art activities 
  • guessing games
  • storytelling - documenting children's individual stories, in their own words
When I create learning experiences that involve these elements, preschoolers are engaged and happy. Ideally, all or several of these activities are happening at once. I love centers that provide varied activities and allow children to be individuals "in charge of their own learning" - exploring in different ways, at their own pace, at their own choosing.

THESE CHILDREN FIRST Also - more importantly - I believe the students themselves should be the drivers of the "theme"/the "topics." Each year, when I get to know a class of preschoolers, they lead me towards new fun ideas for exploration. It is essential that what I prepare to do with children be of interest to the children in this class.  This means that I spend a great deal of time observing, listening, and documenting what they are doing, saying, questioning - and their questioning is perhaps the most important aspect of the observations. If I can figure out what the children are wondering about, I have a great catalyst for learning experiences. I am continually surprised and enlightened! 

WHAT DO THEY NEED TO LEARN - No matter what the topic, there are big skills I want to cultivate in preschoolers:

social-emotional - being a friend, listening to others, asserting oneself, how to share, how to take turns, how to handle tough emotions in socially-acceptable ways, being in control of one's body, being empathic;
cognitive/academic habits - such as focusing, questioning, recalling, connecting, synthesizing, persevering,
pre-literacy - such as letter recognition, beginning writing, storytelling, love of reading;
mathematical - especially counting and quantifying, measuring, recognizing shapes.

This is probably not a complete list - just one that comes to me off the top of my head. However, these skills are the essential elements of any planning for me. These skills are what I want to nurture in children during preschool - how I best prepare them for elementary school and beyond.

These skills can be cultivated through innumerable themes, in so many different ways.

DATA AND REQUIREMENTS - the reality of teaching in a public preschool is that I am required to collect and keep data on students. [My first many years of teaching preschool were in a private preschool setting, and these requirements were not as rigorous.]

However, data does not drive my instruction but it is an intentional element "behind" my instruction.   Data happens from my instruction and informs my planning, showing me what students are working on, what is challenging them, where they are developmentally.

I know that I am required to collect data on certain things and I weave those data requirements into the plans.

For example, I am expected to keep data on children's ability to write alphabet letters. There is no need for me to set up a specific lesson on this - tasking children, one-by-one, to practice writing the alphabet. [I can't think of anything more boring for three year olds!] However, I intentionally plan writing elements into all that we do - having children sign their own name on projects, writing letters and cards in the writing center, creating grocery lists in dramatic play, drawing blueprints for block-building and engineering, etc. etc. etc. These activities are playful and reflect my goal of "children first."  Plus, I get rich data from these activities - they tell me who loves to write, who is not interested, who is struggling. Writing becomes an integral part of all that we do, something the children begin to perceive as routine and valued - reflecting the higher goal of "what do they need to learn."

Teachers need to work with these larger school/system expectations but I don't believe they have to be limited by these. It is a personal goal of mine to teach the way I have always taught, to provide the playful, rich, exploratory experiences that I believe in my core are the best for children - and to show how I can still meet these outside expectations/requirements.

I work hard to show the learning behind the play.

WHAT DO I NEED OR WANT? - Honestly, another essential element of my curriculum planning is  ME. What do I enjoy doing? What jazzes it up for me? When the children see me happy and excited about some learning adventure we are on, this fosters enthusiasm in them. I see this with engineering - I love to build with recyclables and I have whet the appetite of many children in so doing.

I shy away from teaching the same thing in exactly the same way each year. This is what keeps my work stimulating and fun for me.

One of the best examples of putting myself "in the mix" of my planning is our current overall theme - Ezra Jack Keats. This past fall, I went to see an Ezra Jack Keats' exhibit in Philadelphia (which I mentioned in an earlier blogpost)...and I decided I wanted to introduce him to my preschoolers as an author study.

Actually, our Ezra Jack Keats plans are a great example of all of the above -

  • planning for children first, 
  • these children first, 
  • what do they need to learn
  • requirements and data
  • what do I need or want


I sat down with Melissa to plan out this author study - How would we share Ezra Jack Keats with our preschoolers? What do we want them to take away from this experience? What do we want them to explore?

With all this in mind, we created a curriculum web of our plans - really, a diagram of our brainstorming. It included what books we would read, what activities these books might lead to or be best supported by, and what the "grand finale" might be for our efforts. (We will present children's work at our next Learning Showcase/parent night).

Cover image from Dreams by Ezra Jack Keats


Ezra Jack Keats has been an awesome unit for the Big Cats, and has taken some six weeks to fully explore. Let me share our fun, in no particular order:

The children have loved, loved, loved the characters in his books. His stories are inter-connected, with characters appearing across several books. I think this is one of the most special aspects of Ezra Jack Keats' books - he introduces us, book by book, to a community - a neighborhood - with its own children, its own families, its own problems. This is something the Big Cats understand beautifully. Here are some of our favorite books to date:
  • The Snowy Day (a favorite story that we also did as a bilingual read-aloud, in both Spanish and English), 
  • Goggles (we had a great discussion about bullying, and conflict resolution techniques that are peaceful), 
  • Peter's Chair (what have you outgrown? who has a younger sibling? who has an older sibling?), 
  • The Trip (have you ever moved? what would it feel like to go somewhere new, to leave your neighborhood?), 
  • Letter to Amy (tied this into writing Valentines and love notes), 
  • Regards to the Man in the Moon (engineering effort, creating a toy of our own design), 
  • Dreams (preceded by a picture walk, where we tried to imagine the words for each page)

During all our read-alouds, the children try to guess what the book is about from the book cover. Additionally, have they seen the character(s) before? What previous book had that character?




We created a cardboard city from tri-fold boards, much like Ezra Jack Keats' apartment buildings. The children sponge-painted brick on front and drew decorative interiors. The first set of apartments lasted nearly three weeks - and then a new set was needed for fun. We also painted a beautiful large sky out of fabric, so that we can pretend to be in his stories. (I have been documenting the children's stories as they play "city" - typically involving several mommies, daddies, babies, babysitters, doctors, and monsters; often, there is a large firetruck racing through the city.)









We have had an on-going project of engineering individual apartments or houses out of recyclables. The children have created their own stories to accompany these. Melissa has encouraged the children to revisit their home design many times, to ensure that it includes as many details as the child has hoped to include and to make any modifications that are desired. These have been a fun way to assess children's knowledge about spatial relationships; while she works with small groups of children or one on one with a child,  Melissa asks such questions as, What is next to your bed? Is there a room above you? What is behind this? 

We have taken pretend elevator rides at whole group time. Here, we jump in close together as if getting on an elevator together; someone calls out a floor number and we pretend to move to that floor, steadily moving our bodies up, up, up, taller. Then, the pretend elevator doors open and we are in another story by Ezra Jack Keats. I lead the children through a dramatic re-enactment of a scene, the story's problem, perhaps some well-known line from the story, to see if the children can recall the characters' names, the title of the book. This is almost a guessing game for the children, and it is received enthusiastically. Children love to dramatize and I believe it helps get knowledge "into their bones."

Almost every day has included another fun, process art experience - where we create different designs and textures on paper. We have used chalk, pastels, watercolors, shaving cream, sponge stamping, and much more. Our Learning Showcase will feature each child's collage art from these special papers, imitating Ezra Jack Keats' artistic style and sharing a personal story. 


We are now working on an Ezra Jack Keats-inspired piece for our Phillips artwork. [Our school partners with the Phillips Art Gallery each year, creating an exhibit of our students artwork for their Young Artists Exhibition. This year's theme is storytelling and our Ezra Jack Keats focus has dovetailed beautifully.] Our art teacher, Brianna, worked with the children in small groups to observe the surrounding city buildings from the top floor of our school. From this high perspective, the children drew city buildings and skylines. These will be collaged onto a beautiful, vibrant "sky" background. Accompanying this artwork will be the children's own story about "The Big Cats in the City."



Believe me, curriculum planning can feel confusing and hazy at times...seemingly unending, spiraling into never-ending possibilities. You are continually trying to plan from the perspective of the child - What entices them? What keeps them engaged? What would be fun? Of course, you then have to fit the plans into the actual preschool day, in and around our walks, naps, visitors, field trips and special events, and, in recent weeks, snow days and delayed openings.

However, wrestling with planning in this way is invaluable. Our Ezra Jack Keats' unit has nurtured our interests in family, home, friendships, city, and community - topics that are near and dear to these preschoolers.

Seeing the children's interest in his imagery, Melissa has begun planning her own unit that is a tangent of our Ezra Jack Keats work: shadows and light.

I love planning this way - it is creative and "alive." And, yes, unending.